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But what really got me into music was listening to progressive rock. So I picked up a guitar at 12 years old listening to western pop and progressive rock.
Later I heard music like Return to Forever and Mahavishnu Orchestra.
Clarence Chang, founder of Jazz World Live Series in Hong Kong, sat down with Pelago co-founder, Bob Bunger, to share with us how jazz became his life. When I was growing up in Hong Kong, there was no Canto-pop back then.
Everybody was listening to western pop music - the Beatles, Bee Gees.
But that in itself is an art form that too few modern-day performers have perfected, for all the hysteria that they seem to generate, which in turn is another reason why this album is so precious.
The audience is as much of a performer as the band!
I was one of the first people to use a drum machine.
This is the last even halfway essential Osmonds album, not because it can even hold a candle to the majestic Osmonds Live released three years earlier, but because it remains an object lesson in how to put on a show. As always, the lion's share of the concert was devoted to medleys, showcases for Donny and Marie, Jimmy, and the banjo-plucking Merrill, and ensemble workouts for a selection of Stevie Wonder hits and old rock & rollers.But hit singles and album favorites, all picked with a sharp eye for maximum impact, were interspersed throughout, and it would be the finicky fan indeed who walked away regretting that a favorite song had not turned up somewhere in the performance.