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This is perhaps a dying rule, but one that many competition judges still take into account so worth being aware of. Possibly one of the hardest things to remember because it genuinely feels unnatural.
The mirror is a perfect tool to show you what the camera can see – try to imagine it behind your photographers head when shooting and always consider what can be seen from that angle.
For example, if your foot is closest to the lens, it is worth remembering that your foot is going to the largest thing in the picture…nobody wants to be remembered as Bigfoot… )…or, move your arm a fraction backwards, away from the direct beam of light. Ask which is your key light and then work towards it. If the light has been metered to an exact spot, try to stick to it, or at least notice when you’ve crept closer to the light so you can rectify it if required. It is always advisable to follow the line of your nose to keep your sight central.
When you do, make sure it is shadow you are turning into and not the light.
Stand in front of the mirror and look at yourself…stand normally, then roll your shoulders back allowing your face to come forward…notice the difference in the width of your neck? Go one step further by popping your jaw towards camera if you want a strong line created by the shadow.If the photographer is at a 12 o’clock angle, then standing angled at rather than 3 o’clock will lose inches to your overall width.